Kenyan Musicians Defend Performances at Uhuru Gardens Amid Public Outcry

Kenyan musicians are facing significant online backlash following their performances at the Jamhuri Day celebrations held at Uhuru Gardens, where they entertained President William Ruto and other dignitaries.

Esteemed artists such as Gidi Gidi (Joseph Ogidi), Collo (Collins Majale), Jua Cali (Paul Nunda), Daddy Owen (Owen Mwatia), and P-Unit have been targeted with insults and threats after their personal phone numbers were leaked online. Daddy Owen reports receiving a deluge of messages and calls, many of which were abusive, prompting him to avoid unfamiliar numbers for the majority of the day.

Gidi Gidi utilized Facebook to address the backlash, humorously requesting that callers communicate in English or Kiswahili. The controversy also raises questions regarding the compensation provided to the performers. Reports suggest that each artist received approximately Sh600,000, with some earning even higher amounts, while payments for accompanying dancers and bands varied.

Comedian Butita has defended the artists, arguing that they should be free to perform without facing hostility. Echoing this sentiment, Lenson Njuki, also known as Mr. Lenny, says that the anger directed at the musicians is misdirected. He points out that artists have been part of state functions since Kenya’s independence in 1963, emphasizing that their involvement is a professional decision rather than a political endorsement.

Mr. Lenny further notes that the current administration offers better compensation to artists compared to previous governments. Charles Kanyi, popularly known as Jaguar, characterizes the Jamhuri Day performance as a notable achievement and dismisses calls for boycotts of his music. He states that his focus remains on producing quality music and honouring Kenya’s heroes, adding that many derogatory calls he has received originated from non-Kenyan numbers.

Jua Cali, a well-known figure in the genge music scene, defends the performances by reinforcing that national holidays serve to celebrate Kenya’s history and milestones, rather than endorsing political figures. He asserts that these events are meant for all Kenyans, irrespective of their political beliefs, and suggested that the negative social media commentary reflects the views of a small minority.

Despite the backlash, the artists have expressed optimism regarding their careers. Mr. Lenny mentions receiving offers from promoters following the Jamhuri Day event, while Jua Cali notes continued support from his core fan base.